Daily Dose: Featuring the Chirurgeon’s Apprentice, Lindsey Fitzharris

Welcome to Literary Medicine’s Daily Dose, companion to the Fiction Reboot!

Medical humanities is a growing field, a place where intersections not only of medicine and literature but also of medicine and narrative, culture and society are encouraged and explored. Durham University’s Center for Medical Humanities puts it this way: it is a field “in which humanities and social sciences perspectives are brought to bear upon an exploration of the human side of medicine.”

In the last few weeks, I have been featuring my own research into the weird and wonderful corners of medical history and literature. Today, however, I present the first of several posts featuring the work of my medical historian/medical humanist colleagues. Our guest for today is the woman behind Chirurgeon’s Apprentice, a fantastic blog that has gained increasing attention over the last year. I present Lindsey Fitzharris, historian, colleague and friend!

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Lindsey Fitzharris: Chirurgeon’s Apprentice

Lindsey Fitzharris is a medical historian who completed her doctorate at Oxford University with a specialty in the history of seventeenth-century alchemical pharmacopeia. Her interested are broad and cross boundaries–more interestingly, she has helped to make medical history and medical artifacts accessible to a broad audience. I have asked her to give us a few details on her present work, and to share with us her plans for the future in this expanding field. Lindsey is currently a Wellcome Trust Postdoctoral Research Fellow at Queen Mary, University of London.

Welcome, Lindsey!

1. You are a historian of medicine and have been working in academe, but are also transitioning (like so many of us). As you carve a niche of your own, can you say a bit about this new role for academics-as-trailblazers? And how has your research interests helped to get you there?

To be honest, all of this has come about quite suddenly and unexpectedly (as most wonderful opportunities do in life). I started The Chirurgeon’s Apprentice as a way of reaching out to friends and family who did not understand what it was I did as a medical historian. Beyond that, I’ve also always had an inherent desire to share the stories I come across in my research with a broader audience, and this website allows me to do just that.

For me, it’s not about fame or recognition, although certainly new and exciting opportunities have sprung from it. In fact, I find comfort in hiding behind the persona of The Chirurgeon’s Apprentice, and sometimes worry what readers will think if they learned I was not only a woman, but also an American (the secret is out now!)

For me, it’s about writing for an enthusiastic and inquisitive audience who may otherwise not have the opportunity to learn about early modern medicine. On several occasions, I have received emails from readers who tell me that they are both surprised and entertained by what they read on the website.

But perhaps most importantly, writing for The Chirurgeon’s Apprentice has forced me to think about my own work from the perspective of a non-specialist. This, in turn, has helped me grow as a writer, as a communicator and as a historian. For me, this is deeply satisfying.

2. I am a big fan of your blog, The Chirurgeon’s Apprentice; in fact, I consider it a model for the Daily Dose (and a daily inspiration). I know it began as a way to elucidate the history of medicine (what we, as researchers, do) to family and friends–but has taken on a life of its own. Can you say a bit about its history?

I can’t believe it’s old enough to have a history!

The concept for The Chirurgeon’s Apprentice evolved from a conversation I had once with a friend. He’s a film-maker, and I, a mere historian. Yet, he was fascinated with my research. That got me thinking: maybe my work really is interesting. Driven partly by this and partly by the desire to reach beyond walls of academia, I started The Chirurgeon’s Apprentice.

Two years on, and the website now has a terrific following (6500+ fans from all over the world)! I am constantly amazed by the level of interest in The Chirurgeon’s Apprentice, and touched by the responses I receive from readers on an almost daily basis now.

It inspires me to keep writing.

3. Can you say a bit about your current on-going projects? Where might we see you in the future?

If you had asked me two years ago where I saw myself going, it certainly wouldn’t have been here. One of the most valuable lessons I’ve taken from this entire experience is that life can change very quickly, and sometimes you just have to let yourself be swept up with it.

At the moment, I just finished filming a preview for a television series based off The Chirurgeon’s Apprentice. It’s called “Medicine’s Dark Secrets” and will explore subjects such as anthropodermic bibliopegy (binding books with human skin), body-snatching, medical curiosities and criminal dissection in the 18th and 19th centuries. The series is being directed and filmed by Lesley-Anne Morrison and Gregg McNeill at Big Baby Productions in Scotland, and the preview will appear on their website at the end of the month.

I’ve also had an article on bloodletting practices accepted in New Scientist, and I have several others in the works.

4. You are also a “cross-over” author in another way–like some of my recent Fiction Reboot interviewees, you are working towards writing a novel. From Tessa Harris to Alex Grecian to Stephen Gallagher, medical history has made a big impact on shaping story. What are your plans/hopes for fiction? (So that I might host you again after your first release!)

I have always been a passionate storyteller. I suppose that is what first attracted me to history as a subject. I am so often moved by the stories I come across in my research—stories about the people who died, stories about the loved ones they left behind, and stories about the surgeons who overcame the unthinkable to learn more about the very thing that defines us: our anatomy.

I am currently working on two fiction projects: one is a historical novel which centers upon a surgeon in the 17th century who gets embroiled in a political cover-up. The other is a dark (and slightly disturbing) fairy tale which is a part of a larger project currently headed by Alex Anstey at Reality in Dreams. There are 8 writers altogether, and each story will be illustrated by a different artist. I’ve met with the other contributors and am so honored to be working with such a talented and imaginative group of writers!

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Thank you, Lindsey–
And please stay tuned for more features on the Daily Dose! Upcoming: Richard Barnett of the Sick City Project! And of course, the Fiction Reboot returned tomorrow with more on the writing life!

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About Brandy Schillace

A scholar of medical-humanities and writer of Gothic fiction, Dr. Brandy Schillace spends her time in the mist-shrouded alleyways between medical history and literature. She is the Managing Editor, Culture, Medicine and Psychiatry and Research Associate/Guest Curator for Dittrick Museum. Dr. Schillace is a freelance writer for magazines and blogs, and has published fiction (High Stakes, Cooperative Trade, 2014) as well as non-fiction books (Death's Summer Coat, Elliott and Thompson, 2015, Unnatural Reproductions and the Monstrous (co-edited collection), Cambria Press, 2014).
This entry was posted in Medical History, Medical Humanities, The Daily Dose, Uncategorized and tagged , , , . Bookmark the permalink.

3 Responses to Daily Dose: Featuring the Chirurgeon’s Apprentice, Lindsey Fitzharris

  1. Pingback: Medical Humanities Profile: Brandy Schillace | Centre for Medical Humanities Blog

  2. Pingback: The Daily Dose Presents: Medicine’s Dark Secrets! | bschillace

  3. Pingback: Daily Dose: Featuring the Chirurgeon’s Apprentice, Lindsey Fitzharris - Dr. Lindsey Fitzharris

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