MedHum Monday: Getting the Word Out with the Robert L. Brown History of Medicine Collection

DailyDose_PosterIt’s Monday again, MedHum Monday in fact. Today we are thrilled to be joined by Linda Lohr and Keith Mages of the Robert L. Brown History of Medicine Collection at the University of Buffalo. These two are skillfully tackling an all to common question in medical libraries — how do we get people to know we are here? Through partnerships both on and off campus, the R.L. Brown Collection is uniting history, health sciences and medical humanities to make their presence known. Take it away, Linda and Keith!

ROBERT L. BROWN HISTORY OF MEDICINE COLLECTION

Established in 1972, the Robert L. Brown History of Medicine Collection is home to rare books, artifacts, and ephemera related to the rich history of medicine, pharmacy, dentistry, nursing, public health and the health professions. The comprehensive monograph collection contains works ranging from 1493 through the 20th century, with an extensive nineteenth century component featuring particular strengths in the subjects of anatomy, surgery, obstetrics and gynecology, pharmacology, dentistry, and oncology. Within the History of Medicine Collection are several special components including the Bonnie and Vern Bullough History of Nursing Collection, the Edgar R. McGuire Historical Medical Instrument Collection, the Homer T. Jackson Collection and historical artifacts from the UB School of Pharmacy & Pharmaceutical Sciences.

Historical artifacts from the UB School of Pharmacy & Pharmaceutical Sciences

Historical artifacts from the UB School of Pharmacy & Pharmaceutical Sciences

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Book Marketing: Branding, anyone?

FictionReboot2Welcome back to the Fiction Reboot (the fiction component of the Daily Dose|Medical Humanities)!

Today, we seek to answer a question many author’s pose: I’m published–now what? It turns out that getting yourself into print is only the first step. There are many ways of putting your novel in front of people; here’s just one: branding. I’ve asked Claire McKinney, of the PR firm by the same name, to share a bit about what she does and why “branding” matters. Welcome, Claire!

Our Website:
www.clairemckinneypr.com

What we do:
logoClaire McKinneyPR, LLC is a full service public relations firm that creates and executes individualized campaigns for authors and books, thought leaders, CEOs, and spokespeople. We have over eighteen years of experience working with a wide range of people and projects though we do specialize in fiction and in non-fiction: health and wellness; popular science; business; public affairs; cooking; and history. Our philosophy is that there are no generic campaigns and that each project or person needs to be evaluated exclusively for what it/he/she can bring to the conversation.

Branding:
What is it about branding these days?  I will argue that before radio, TV, and now the internet, what you had to say was more important than what you represented or how the masses “felt” about you.  I’m sure there were stars in their midst but without the power of satellites and jet planes, the number of people in your fan club was probably pretty small.

So enter radio and all of a sudden there are dozens of voices out there, perhaps talking about the same thing.  Add TV and it’s not just what they are saying, but it’s how they look on screen.  Add the internet and part of the game is about how many people can you entertain in 140 characters or less?

Recap: We used to be invested in the ideas and information we consumed because we had to DO something to get it, either actively listen or read it.  Now, we are bombarded with hundreds of thousands of images and sound bites, our attention spans are limited and our loyalties shift rapidly.

Personal Anecdote: I once worked with an author who wrote a book about the rise of brands that was very controversial and sold a lot of copies.  I guess it made sense that she would know all about branding herself, and she was super specific.  There were some media outlets she absolutely had to do, as they related to her message and kept her close to her core audience.  She had a uniform of jeans and short black boots with a blazer.  And most importantly she did not go anywhere publicly without a professional blowout. In other words, she was her own brand. And it worked.

Current Authors:

Richard Barrios, Oxford University Press (Dangerous Rhythm: Why Movie Musicals Matter)

Gretchen Archer, Henery Press (New book, Double Strike)

Jon Derek Croteau, Hazelden Publishing (Memoir)

Cathi Unsworth, House of Anansi (Mystery)

 

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Reboot Review: Weirdo by Cathi Unsworth

FictionReboot2REBOOT REVIEW PRESENTS:

WeirdoCathi Unsworth | Simon and Schuster
Reviewer: Jim Magwood

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13431859  “And all he saw in her eyes was naked fear.”

In 1984, fifteen-year-old Corinne was locked away for the murder of a fellow teen. The evil of the act had her being called Wicked Witch of the East and her town banded against her. Keep her away.

It was a time when young people were demanding more, refusing guidance from parents and peers alike, and were caught in the trap of evil cloaked in the guise of independence.

It is now twenty years later, she is still locked in a hospital, still paralyzed with fear. A private detective with his own fears has been sent on a mission to determine whether there was someone else, someone Corrine refuses to even acknowledge.

But the town still has its secrets and still hides its own. How can he dig back twenty years into an era of teen isolation and fear and find those who might be able to uncover the secrets – if there are any?

Cathi Unsworth knows of the times and troubles, the hidden struggles, the desperate drive for acceptance. She knows the minds of those who would help and those who would hurt. She knows the secrets of small towns.

While the story is written in British English and some local word use and idioms may be slightly confusing in a U.S. market, her characters appear real; emotions, fears and confusions rip through the reader and it’s easy to “see” this all actually taking place.

Can people really be evil? Can teens, and adults, actually be forced through life by powers they don’t understand? Cathi answers these questions with a strong, “Oh, yeah.” Corrine is a teenage girl fighting the peer-demand to “be different” and trusting no one in the “adult, authority” group, all the while trying to unlock the doors of boredom, sameness and restrictions.

Now, private detective Sean Ward is trying to renew his own life, one ripped apart as his success was torn from him. But a twenty year old cold case? And only because an attorney decided to look at an unpopular case and asked him to to find the proof? As the story unfolds, Ward realizes he “needs” a major case, one that would jar him back into life. Teh question is: will this one wake him, or destroy him?

Unsworth writes with clarity and insight about the loss and searching of young people everywhere, twenty years ago and today, and wraps the insights into a story that will have the reader looking back into his or her own life with all its fears and pain.

It’s an absorbing story and this, Cathi Unsworth’s fourth novel, might just keep you up all night!

_______________

About the reviewer:

Jim Magwood is an author “born too many years ago” in Vancouver, Canada. He was dragged south across the border by his parents when he was too young to protest and has lived in California the rest of his life.  He retired early and moved from the city to his quiet country place in Twin Oaks. The loudest noises now are some howling coyotes (improvement). His work appears on Amazon and Smashwords; SANCTION, THE LESSER EVIL, COP and NIGHTMARE are available now; JACOB is right around the corner. You can catch him at JimMagwood@aol.com. (And he does answer his mail.)

Sample Sanction: https://www.smashwords.com/books/view/415206
Web site: http://www.JimMagwood.com

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MedHum Monday: The Rose Melnick Medical Museum, Taking the “Show on the Road”

DailyDose_PosterHappy MedHum Monday, Everyone! Now that you’ve returned to the weekday grind (after at least one cup of coffee, likely) it’s time to hear from someone who uses an incredible amount of creativity and hard work to share the collections of a medical history museum without a physical gallery space. Cassie Nespor, curator of the Rose Melnick Medical Museum, partners with neighboring academic buildings, schools, and local museums to bring the history of medicine to her community. In addition to these efforts, the museum has a digital presence, allowing an even broader audience to appreciate and learn about all of the amazing artifacts. Welcome, Cassie!


The Rose Melnick Medical Museum at Youngstown State University opened in 2000. The core collection of artifacts comes from John Melnick, a local radiologist, who wanted to start a museum to help foster an appreciation for the history of medicine in the community. The museum consists of about 10,000 artifacts and a small collection of historical medical books. The museum also has a blog and YouTube channel.

In the beginning of 2013, it was decided that the museum should be relocated to the Health and Human Services academic building on the campus core. The move meant that I would be without a physical space to display exhibits and host events for possibly several years. The situation forced me to rethink my programming. I decided that I’d need to take “the show on the road” to other buildings on campus and into the community.

Hallway exhibit cases featuring an exhibit on medicinal alcohol

Hallway exhibit cases featuring an exhibit on medicinal alcohol

The Health and Human Services building was remodeled to include several hallway exhibit spaces for the museum throughout the building. These are small exhibits that I can change easily and in the future I plan to use them to feature student work from the collection. The current exhibits are fun and visually appealing to students waiting for class to begin or catching the eye of someone visiting the building. I have also reserved a number of banner exhibits from the National Library of Medicine. These banners get displayed near the café in the building and cover a variety of topics I bring in related speakers for public events or individual classes. For the “Binding Wounds, Pushing Boundaries: African Americans in Civil War Medicine” exhibit, I partnered with the local historical society for a public event featuring Betsy Estilow from the National Museum of Civil War Medicine. For the “Literature of Prescription: Charlotte Gilman Perkins and the Yellow Wall-paper,” I spoke to a graduate class in English about the “rest cure” and mental health care at the turn of the century. With these banner exhibits, I am trying to engage our college students in a variety of medical history topics that will hopefully drive them to our website and blog for more information and create an interest for using the collection on campus in the future.

Binding Wounds, Pushing Boundaries banner exhibit

Binding Wounds, Pushing Boundaries banner exhibit

The other component to “taking the show on the road” was developing a suitcase tour. I shadowed the local historical society on some of their mobile tours to local elementary schools. Since many of our tours were local schools as well, I developed a tour with curriculum standards in mind. The tour features durable artifacts (like pill molds) and some replica instruments I purchased from online Civil War sutlers (monaural stethoscopes, leech boxes, and an ether canister). The suitcase also carries 8 mortar and pestle sets that I use for a hands-on activity in making medicine (an 1881 tapeworm remedy using pumpkin seeds and sugar). My artifacts and PowerPoint presentation have been well received by the kids and I’ve given almost 20 suitcase presentations in the past year.

Suitcase Tour Items

Suitcase Tour Items

I am also a part of a Cultural Collaborative group of local museums. I let them know that I was looking for ways to get out in the community and they’ve responded with a number of invitations to join in their programs. This summer I am participating in several summer camps hosted by the park and the historical society, using my suitcase tour. I’ve had a table of historical instruments at the children’s science museum when they were making their own stethoscopes and microscopes. I did a fun presentation on quack medicine for the historical society’s brown bag/ lunch-and-learn program. The park also invited me to be part of their Family Garden Day with an Alice in Wonderland theme. For that, I created a new color-changing “digestive elixir” (out of cabbage juice). I’ll get to use this fun drink again with the science museum hosts a STEM festival in September.

Pumpkin Walk at the Mill Creek Metro Parks. The kids were using the mortars and pestles to make the tapeworm remedy using pumpkin seeds.

Pumpkin Walk at the Mill Creek Metro Parks. The kids used mortars and pestles to make the tapeworm remedy with pumpkin seeds.

These new partnerships will hopefully expand my reach in our community and create new audiences whenever the physical museum finally opens again!

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Friday Fiction Feature

FictionReboot2Greetings and welcome back to the Friday Fiction Feature! Tabatha is back, and this time I really am going to finish the Death & the apocalypse feature I promised! In part I we explored the world’s end & what to do about it, and now in part II we’ll focus more on the (wo)man who’ll make it happen. Death is a very important figure for most people (eventually), but (s)he never gets much face-time (ba dum chi). So today we’re going to take a peek into several different versions of Death as a character. However, I won’t be giving you selections like The Book Thief, because while I hear it is a great read, I’d prefer to look on the lighter side of Death for today (and I’ve never heard of a single Death-&-Nazi-centrous book that made me laugh). So without further ado, I give you a character who is just dying out in literature. I hope the humor’s not too grave for you! _______________________________________________________________ Mort by Terry Pratchett 

Mort (Discworld, #4)Terry Pratchett’s Mort is first on the list, for the simple reason that Discworld’s Death is my favorite in the entire series. He is charming, his humor just kills, and he’s really very understanding about his job (though he would like to have people be happy to see him, just once!).

In this Discworld installment, Death comes to Mort with an offer he can’t refuse — especially since being, well, dead isn’t compulsory.As Death’s apprentice, he’ll have free board and lodging, use of the company horse, and he won’t need time off for family funerals. The position is everything Mort thought he’d ever wanted, until he discovers that this perfect job can be a killer on his love life.

This book is worth a read if only for a look at how death (the state) functions in Discworld where the afterlife is whatever you believe it is, and everyone has a different idea of what comes next.

On a Pale Horse (Incarnations of Immortality #1) by Piers Anthony

On a Pale Horse (Incarnations of Immortality, #1)Another series novel, On a Pale Horse has a very different approach to Death. Unlike the usual idea of Death as an immutable anthropomorphic personification (a.k.a. just the one skeleton forever), Anthony shows Death as more of a job that gets filled by a new working stiff. All in all it’s not too bad; the hours aren’t great and the walking skeleton look takes a bit of getting used to, but you meet a lot of new people, travel the world, and don’t have to worry about health insurance. It’s just the retirement plan that’s a bit troubling.

When Zane shoots Death, he has to take the job, speeding over the world riding Mortis, his pale horse/limo, measuring souls for the exact balance of Good and Evil, sending each to Heaven or Hell instead of Purgatory. The new Thanatos is superbly competent, ends pain when he ends lives. But Satan is forging a trap for Luna, the woman Death loves.

Undeadly (The Reaper Diaries #1) by Michele Vail

Undeadly (The Reaper Diaries, #1)Moving even farther from the personality-less sythe-carying skeleton we all know and fear, Undeadly posits a very different view of the incarnation: a teenage girl who thought the world would be a nicer place with one more cute boy in it. Oops.

The day I turned 16, my boyfriend-to-be died. I brought him back to life. Then things got a little weird…
Molly Bartolucci wants to blend in, date hottie Rick and keep her zombie-raising abilities on the down-low. Then the god Anubis chooses her to become a reaper—and she accidentally undoes the work of another reaper, Rath. Within days, she’s shipped off to the Nekyia Academy, an elite boarding school that trains the best necromancers in the world. And her personal reaping tutor? Rath.

Life at Nekyia has its plusses. Molly has her own personal ghoul, for one. Rick follows her there out of the blue, for another…except, there’s something a little off about him. When students at the academy start to die and Rath disappears, Molly starts to wonder if anything is as it seems. Only one thing is certain—-Molly’s got an undeadly knack for finding trouble…

When  Adam Lacroft Met Death by Carlos Paolini

When Adam Lacroft Met DeathFor one last outsider’s opinion on Death, I’d like to point out that there is really no reason he needs to be a he (especially considering the whole fleshless skeleton thing…seems a bit of a moot point to me). When Adam Lacroft Met Death not only gender-bends our grim friend, but also gives her a personality. Far from Mort‘s understanding Death, this young(old) lady likes playing games with the lives, and deaths of others (but I suppose after a few millenia anyone would get tired of chess).

Death, in the form of a sexy, capricious twenty-something woman, offers a teenage boy a questionable way to win back his life in 19-year-old author’s debut novel.

Adam Lacroft is a carefree seventeen-year-old, in love, with a perfect slacker future in front of him–until a reckless driver crashes into his car and threatens to take all of that away. When Adam wakes-up in an empty white room, a cute girl sitting by his side giggles and explains to him that he is now dead. Coquettish and border-line psychotic , the girl produces a few demonstrations that scare Adam and verify the reality of his state of being. A proper introduction is then made and Adam Lacroft meets Death herself. Death, however, tells Adam he may call her Eve.

Feeling sympathy (or is it something else?) for Adam, Eve strikes-up a deal with him: if he can find and kill the driver who caused his accident within three days, Adam gets to turn 18 and find his natural end some other time. Having no clue of what to do next, Adam confides is rather strange predicament in his friend Erica and, together, they begin searching for the man who caused the accident. Their mission is unconscionable enough, but as Adam and Erica find-out more about their target, they find less of Eve’s version of the events ring true. Death is spoiled and condescending and, despite seeming to have a crush on Adam, is constantly setting him up to fail.

Death: a Life by George Pendle

Death: A LifeFinally, I want to shift gears a bit, out of the typical fiction and into autobiography. We’ve been looking at so many different accounts of what Death is like, it is only fair to get his perspective on the matter. (We at the Fiction Feature do believe in fair representation after all).

At last, the mysterious, feared, and misunderstood being known only as “Death” talks frankly and unforgettably about his infinitely awful existence. Chronicling his abusive childhood, his near-fatal addiction to Life, his excruciating time in rehab, and the ultimate triumph of his true nature, this long-awaited autobiography finally reveals the inner story of one of the most troubling, and troubled, figures in history. For the first time, Death reveals his affairs with the living, his maltreatment at the hands of the Four Horsemen of the Apocalypse, the ungodly truth behind the infamous “Jesus Incident,” and the loneliness of being the End of All Things.

Intense, unpredictable, and instantly engaging, Death: A Life is not only a story of triumph against all odds, but also a tender, moving tale of unconditional love in a universe that, despite its profound flaws, gave Death the fiery determination to carve out a successful existence on his own terms.

DEATH was born in Hell, the only son of Satan and Sin. He was educated in the Palace of Pandemonium and the Garden of Eden. Since before the Dawn of Time, he has ushered souls into the darkness of eternity. This is his first book.

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The Fiction Reboot Presents: “Striking Research Gold” by D.B. Jackson

FictionReboot2Welcome back to the Fiction Reboot and the Daily Dose! Today, we are pleased to present the work of D.B. Jackson/David Coe–the Thieftaker Chronicles. One of my favorite things about this series, aside from the brilliant characters, is Jackson’s use of history. I am a historian myself, and work at a medical museum–disease stalks our past like no other villain.DailyDose_Poster (Of course, disease isn’t the only villain in the Thieftaker’s Boston!) Let’s hear about striking “research gold”–Welcome D.B.!
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PlunderofSouls_hi_comp150My newest novel, A Plunder of Souls, is the third installment in my Thieftaker Chronicles, a series of historical urban fantasies. It should come as no surprise to anyone that the writing of these books, all of them set in pre-Revolutionary Boston, has required extensive research. I have consulted historical monographs and biographies, old newspaper articles and a host of other sources, some of them utterly predictable, and others as surprising as one can imagine. (One such document was an architectural plan written up by a firm that specializes in historical restorations. It included the results of bore samples from the walls of King’s Chapel, which told me what color the chapel’s interior was painted in the 1760s. Pure gold.)

For A Plunder of Souls, I relied on one source in particular that provided a bonanza of information and details, many of which found their way into my narrative. More on this shortly . . .

The first Thieftaker novel, Thieftaker (Tor Books, 2012), follows a murder investigation that coincides with the Stamp Act riots of August 1765. The second, Thieves’ Quarry (Tor Books 2013), is set against the backdrop of the occupation of Boston by British troops, which began in the autumn of 1768. In both cases, the challenge of writing the stories, and the joy of it, lay in interweaving my plot lines with actual historical events. The timelines associated with what truly took place in Boston during the periods, and those timelines that I created for my novels, had to mesh perfectly. This allowed me to build my fictional tension while at the same time tapping into the drama of historical developments. The results, I believe, have been two exciting, readable books that carry with them an element of verisimilitude, even as they add magic and imagined murders to those real happenings.

A Plunder of Souls, is a different sort of Thieftaker novel. First, it doesn’t revolve around a murder (at least not at first . . .), focusing instead on a series of grave robberies and their implications for my thieftaking, conjuring hero, Ethan Kaille. This third novel, also doesn’t use a political event as its backdrop. Rather, it takes place during the summer of 1769, as Boston faces what turned out to be a relatively minor but nevertheless deadly outbreak of smallpox. The distemper hangs over the entire narrative, a pestilent, menacing cloud. It’s hard to convey just how frightened of the disease people were at that time. It was highly contagious, horribly disfiguring, and often fatal. It might have been the MERS or SARS of its time, if either of those diseases left its victims with terrible scars on their faces and bodies.

By the middle part of the 18th century, the practice of inoculating the healthy with the smallpox pathogen in order to slow the spread of the disease had gained some general acceptance among physicians. The idea had first been broached in the American colonies by no less personage than the preacher Cotten Mather, but it remained controversial even in the late 1760s. Not only was it dangerous, it was also terribly expensive and thus an option only for the wealthiest of Boston’s residents. The safest course of action upon hearing reports of a smallpox outbreak was to flee the city for the countryside. But this, too, was a solution most available to those with means. The vast majority of the town’s residents had little choice but to avoid close contact with strangers and pray to whatever God they worshipped that they remained healthy.

The city government took precautions as well, and we are fortunate to have a full record of exactly what those precautions were, in the form of the minutes of meetings held by Boston’s Selectmen in 1769. Sounds dry, right? Not even a little. Now, I should probably mention here that I have a Ph.D. in history, and so I’m a bit of a history geek. But I think that anyone would find these documents interesting. For those wondering how an 18th century society dealt with this deadly disease, it is a treasure trove.

The first mention of smallpox in the minutes for the year in question comes on April 18. The selectmen are petitioned by a ship’s captain who wishes to dock in the city, but reports that one of his men “broke out with the smallpox and deceased on the 11th [of April], whom they threw over board with his Bed and Bedding, and that there remain one of his men liable to have the Distemper. [Sic]” The Selectmen order the captain to smoke and cleanse the ship as thoroughly as possible, making it clear that “the Vessel [will] not be suffered to come up to Town untill [sic] you have our orders.”

Despite these efforts, by June there are reports of isolated smallpox outbreaks within the city, and by July, as the first deaths from the disease are reported to the Selectmen, fears of a new epidemic have spread throughout Boston. For those who consent to be moved to the hospital in Boston’s West End, the so-called Pest House, treatment is available. But many refuse to leave their homes. And so those houses are quarantined, marked with red houses, and provided with guards, hired by the selectmen at a wage of three shillings, four pence per day, who are to keep away the curious and the unsuspecting.

When the first death is reported, the Selectmen lay out a procedure for dealing with the bodies:

Our orders are that you get the Corps into a Tarred Sheet & Coffin as soon as may be, and that you bury the same this Night between the Hours of 12 & 1 O’Clock. Let a Man go before the Corps [sic] at some distance to give notice to any one that may be passing — those who carry the Corps or enter the House to receive the same must not fail shifting & cleansing themselves — the Guards must still be kept up at the House, and you must direct those within not to burn anything that is Infectious, and if Mr. Tyler [whose wife has died] consents let the Bed, Bedding, etc. used by Mrs. Tyler be carried up to the Hospital at New Boston after the funeral in order to be cleansed and air’d.

As a historical document, the letter containing these instructions (which was entered into the Selectmen’s minutes) is fascinating. For this author, it was invaluable. Building this description of the precautions into my narrative enabled me to convey the terror that smallpox evoked, while at the same time creating a chilling night scene that added both realism and tension to my story. I found other sources, most of them secondary, that described some of these details, but the Selectmen’s minutes provided tone, language, and certain tidbits of information (like the guards’ wages) that I could not have found anywhere else. Without them, many key passages in A Plunder of Souls would not have had the same level of authenticity.

I know that for some, research is tedious, a task to be endured before the fun part — writing — begins. For others, it’s a delicious trap, something so absorbing it overwhelms the urge to write and becomes a time sink. For me, it falls somewhere between those two extremes: I don’t dread it, but neither do I have any desire to do lose myself in sources for days at a time. Research is a tool without which my books could not possibly be as successful. Yes, there is tedium. But there are also moments of sheer excitement and satisfaction: the discovery of that architectural plan, a moment when I happened upon a portrait of a historical character I had been trying for days to describe, and the hours I spent combing over the Selectmen’s minutes from 1769. In those moments I am every bit the investigator my lead character is meant to be, discovering clues, piecing together disparate bits of information, and, at last, coming up with a rich, coherent narrative that, I hope, captures the truth of my historical setting, even as I infuse it with fictional elements.

*****

DBJacksonPubPhoto800D.B. Jackson is also David B. Coe, the award-winning author of more than a dozen fantasy novels. His first two books as D.B. Jackson, the Revolutionary War era urban fantasies, Thieftaker and Thieves’ Quarry, volumes I and II of the Thieftaker Chronicles, are both available from Tor Books in hardcover and paperback. The third volume, A Plunder of Souls, has recently been released in hardcover. The fourth Thieftaker novel, Dead Man’s Reach, is in production and will be out in the summer of 2015. D.B. lives on the Cumberland Plateau with his wife and two teenaged daughters. They’re all smarter and prettier than he is, but they keep him around because he makes a mean vegetarian fajita. When he’s not writing he likes to hike, play guitar, and stalk the perfect image with his camera.

Thank you, D.B.! AND if you would like to read my Huffington Post review of Jackson’s novel, see here.

Posted in Author Advice, Author Interview, Medical History, The Daily Dose, The Fiction Reboot | Tagged , , , , | 5 Comments

MedHum Monday: The Becker Library and Increased Visibility

DailyDose_PosterHello and welcome to this week’s MedHum Monday post on The Daily Dose! Today we are joined by Elisabeth Brander of the Bernard Becker Medical Library at the Washington University in St. Louis School of Medicine. The Becker Library shares its beautiful collections with students, through annual events, and more recently, social media. Welcome, Elisabeth!


The Bernard Becker Medical Library is the library of the Washington University in St. Louis School of Medicine.  Its rare book holdings consist of nine distinct collections, which cover some five hundred years of medical history.  Many of these collections are very cross-disciplinary in nature, and have a great deal of value to students and scholars working in the humanities as well as those in the medical field.  One of our challenges is making both groups aware that we are a resource that is available to them, and so we’re exploring a variety of ways to increase our visibility.

Having a strong working relationship with faculty interested in the medical humanities is very important for us.  Washington University faculty teaching in the History, Art History, and Gender and Sexuality departments bring their undergraduate classes to the Becker Library each year, and we provide show-and-tell sessions with rare medical texts that are related to their course readings.  We’ve hosted similar sessions for classes from the History and English departments at Saint Louis University, and the St. Louis College of Pharmacy.  Some of the professors come regularly each year, but we’ve found that it’s worthwhile to check the course listings each semester to see if there any offerings that might benefit from a visit to our rare book room – last year we found a course being offered through the University College on the subject of Medicine and Magic, and were able to arrange an evening class visit for the students to look at selections from our Paracelsus collection.

A selection of books from the Robert E. Schleuter Paracelsus Collection

A selection of books from the Robert E. Schleuter Paracelsus Collection

We’re also fortunate to have faculty at the medical school who appreciate our collections and want to expose the medical students to them.  The Center for History of Medicine, which is located within the medical library one floor below Archives and Rare Books, teaches elective courses for first year medical students on various aspects of medical history – in recent years topics have included the history of anatomy and the connections between medicine and war – and interacting with the historic collections is a central part of the students’ experience. Each class session begins with a display of rare books and historic documents and photographs, and the student evaluations always say that the chance to see and handle these materials is a highlight of the course.  We also put on a large display of our anatomical atlases each year either in November or December.  The professors of anatomy at the medical school strongly encourage their first year students to attend, but the event is open to everyone and attendance for the past two years has been very good.

A display of rare books for a visit by first-year medical students

A display of rare books for a visit by first-year medical students

While classes are a significant part of our outreach program, they are not our only means of reaching an audience.  Each year we co-sponsor the Historia Medica lecture series with the Center for History of Medicine.  The speakers consist of a mixture of historians and physicians both from Washington University and other institutions, and the topics are very diverse – this past year we had talks on early blood transfusion, Masters and Johnson’s research on sexuality, and William Stoker’s interest in neuroscience.  This coming February we’re also planning on something a bit bigger.  In celebration of Andreas Vesalius’ 500th birthday, Washington University will be co-hosting an academic symposium with Saint Louis University. The library’s collections include two 1543 editions of Vesalius’ Fabrica, one 1555 edition, and several publications by his contemporaries such as Colombo and Valverde; and we’re hoping to use the symposium as an opportunity to really showcase our holdings.  We’re going to be putting on an exhibit in our Glaser Gallery that will run throughout the event, and smaller breakout sessions will give attendees the opportunity to see our collections in a more intimate setting.

A letter from the William Beaumont papers held at the Becker Library

A letter from the William Beaumont papers held at the Becker Library

We’re also starting to experiment with social media.  We’ve recently set up accounts on Twitter and Tumblr (@beckerrarebooks and beckerrarebooks.tumblr.com), and staff members working in Archives and Rare Books are also frequent contributors to the library’s blogging platform, Becker Briefs.  We’re hoping that this will help boost our online profile and reach a broader general audience.  We’re just starting out so it’s hard to say how effective it will be, but we’re cautiously optimistic!

About the Author
Elisabeth Brander is the Rare Book Librarian at the Becker Medical Library. She studied library science and early modern history at the University of Maryland, then spent a year working with the archival backlog of the National Park Service. She has been with the medical library for two years, and is happily learning as much as she can about the history of medicine; fortunately she has an abundance of primary source materials to consult.

Posted in Collections and Outreach, MedHum Monday, Medical Humanities, The Daily Dose | Tagged , , , , , , | 1 Comment